CD - Brillantina's - Pulp-A-Mandrilla

The Instro Spirit Defines Perfectly Roberto's Tastes, Something Rare When You Notice His Particular Way Of Associating Words To The Sounds, As Seen In The Song's Titles.

From That Definition On, Lots Of Things Can Be Found Inside: Some Instro-Surf, Some Frat-Rock, A Bit Of Biker-Fuzz-Rock, An Obvious Rendition
To The Great Classic Composers Of Cinema Scores And, The Best Of It, A Shocking And Solid Rock Spirit And Attittude.
Rock Instrumentals, Not As The Electronic Ones, Are Not A Well Developed Or Trendie Style In Spain. But We Do Have Great Bands. Probably Because Their
Members Use To Be Musicians With A Great Knowledge And Culture About Popular Music. That's The Brillantina's, One Of This Solid Bands That May Found A
Consolidation With This Second Cd. A Record That Can Even Be Considered The First Of A Second Coming. Their Wide Musical Influences Are Easily
Appreciated In The Covers: "Nous Ne Sommes Pas Des Anges" (We Are Not Angels) From Sixties French Pop-Master Serge Gainsbourg And "Nessuno Me Puó
Giudicare" (No-One Can Judge Me), An Italian Classic That Caterina Casselli And Gene Pitney Sung In San Remo's Festival Back In 1966. 

They Did Not Win, Needless To Say... Also "Klezmer Queen Of Swamp" Shows The Savoir Faire Of The Band. A Klezmer Is An Hebraic Ritual Dance. A Klezmer Was Also The Original Melody Dick Dale Arranged, Turned Into "Misirlou" And So Many People Got To Enjoy As The Opener For Quentin Tarantino's "Pulp Fiction"
Original Soundtrack.

Instrumental Rock Seems To Begin A Still Shy Rebirth In Spain, As It Has Done In Some Parts Of Europe, With A Bunch Of New Bands And The Re-Joining
Of Some Of The Pioneering Ones, Such As Los Coronas.

From El Toro's Reverb Series We Are Strongly Decided To Effort Ourselves To Give The Genre A Way To Reach The Rock Audience.